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Tchaikovsky dedicated his original and emotionally vibrant Fourth Symphony to his newly found correspondent Nadezhda von Meck. This correspondence started at the end of 1876, when Tchaikovsky was in need of funds. On the recommendation of Nikoli Rubinstein, Director of the Moscow Conservatoire where Tchaikovsky was a professor, Nadezhda before the other, Nadezhda von Meck sincerely and increasingly gushingly, Tchaikovsky less sincerely to begin with, but much more so before the elapse of many months. Each was determined never to meet the other in the flesh for fear of destroying their very special relationship. The years covered by the present book are by far the most important in the correspondence. They cover the period of Tchaikovsky's tempestuously abortive marriage, about which he is surprisingly candid; in addition to the Fourth Symphony, the compositions of the period include his finest and most sensitive opera, Eugene Onegin, and the ever popular Violin Concerto, as well as numerous other smaller works. Their views on many musical, literary, philosophical, and other matters are stated frankly and, though they are often in accord, they are not afraid to agree to differ either. Not only giving a unique insight into Tchaikovsky the composer, these letters are perhaps as fascinating as any ever printed. Many are published in English for the first time. The translations, by a native-born Russian who lived the latter part of her life in England, and edited by a music scholar who reads Russian and a Slavist who is qualified in music, are as close to the letter and spirit of the original as it is possible to get. The correspondence will be of interest both to musicians and music lovers, and to all who are interested in the arts and culture of the nineteenth century.
- Sales Rank: #628183 in Books
- Brand: Oxford University Press, USA
- Published on: 1993-04-08
- Ingredients: Example Ingredients
- Original language: English
- Number of items: 1
- Dimensions: 9.56" h x 1.42" w x 6.44" l, 2.09 pounds
- Binding: Hardcover
- 522 pages
- Used Book in Good Condition
Review
culture."--Choice
"This translation of letters between [Tchaikovsky] and his benefactress, Nadezha von Meck, could hardly be more welcome....Edward Garden's Introduction provides an impressive, scholarly framework within which the reader may appreciate the succeeding correspondence....The end product reads not at all like a translation, but like the living interchange -- building, in its own peculiar way, into the intense relationship between two people -- that these letters represent."--The Musical Times
Language Notes
Text: English (translation)
Original Language: Russian
About the Author
Edward Garden is at University of Sheffield. Nigel Gotteri is at University of Sheffield.
Most helpful customer reviews
3 of 3 people found the following review helpful.
An amazing friendship
By Dr Mum
This story of the correspondence between Tchaikovsky and his longtime patron and best friend, is in many ways tragic, but at the same time revealing, not only about his compositional style, but also about the emotional highs and lows that fueled this composer's prolific work. This book is meaningful: I shall never listen to Tchaikovsky's compositions in the same way again.
2 of 3 people found the following review helpful.
Must have book!
By Michael
This book is a must have for any classical music lover, especially of Tchaikovsky. These personal letters between Tchaikovsky and Ms. Von Meck are truly invaluable and a wonderful read.
13 of 13 people found the following review helpful.
The other "review" of this book (as of 5-7-2013) should be removed immediately.
By Bon Vivant (life's too short for mediocrity)
The other "reviewer" of this book admits to not having read this extraordinary book. She instead slams the price of the book and gives it a one-star "review" based solely on her apparent inability to purchase the book, and to therefore, give it a review BASED UPON THE BOOK ITSELF, even though having "heard" the letters are "terrific." I'm dumbstruck by the incredible stupidity of that approach to a review of this book and so, will instead review the BOOK itself, which I have in hand, and which - unlike the other commenter, I've actually read. I would also urge Amazon to not only take down such ridiculous "reviews," but to try to make sure comments pertain to the actual content such products, and not ignorance of the item being critiqued.
That said: this is a remarkable volume. For readers/scholars of Tchaikovsky's correspondence with his patroness Nadezhda von Meck, this volume is actually a new revelation: translated from the originals by NvM's granddaughter Galina von Meck (who was also Tchaikovsky's great-niece) and covering the (perhaps) most critical years of his professional and personal life, reading these new translations is the next best thing to sitting down for a chat with Tchaikovsky. For the scholar, for the casually-interested music lover: this volume certainly has supplanted the Barbara von Meck/Catherine Drinker Bowen "Beloved Friend" (long out of print) on my bookshelf and is a wonderful companion book to the (misleadingly-titled, but still-) PHENOMENAL "Letters to this Family: an Autobiography of Piotr Ilyich Tchaikovsky." Taken together, they're a remarkable microscope into the mind, emotions, creative process and joyous, tortured soul of the man many people consider to be the greatest composer who ever lived.
My last thought: find the book, READ it, and then consider yourself qualified to review it. But until then, ignore the thoughts and comments of someone who clearly is in need of a long, long rest on another planet...unless that's from where she most recently returned.
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